FALL/WINTER 25
Much like Sean Baker’s renegade Cinderella remake Anora, the innocent-looking girl on the set of MORÉ NOIR’s Fall Winter 25
collection appears to have gone rogue. A move away from the curated escapism of the studio’s confinement and towards a harsh
(lit) reality of shadow and light, this, too is a move from daydream to daylight, from fiction, where the brand previously lived, to
fact, where it currently is headed. . .
